Monday, December 4, 2017
bainbrombs
people talk a lot of shit about brainbombs being like the ultimate rock 'n' roll expression of unbridled id and like the band that would make Fun House shit itself and Joseph Minghella say "that's nasty" but I'm calling shenanigans. They're mildly diverting at best but there's just something so ungainly and goofy about the whole affair that's probably good in that it makes them impossible to take seriously as serial hatchet murderers but it's also bad because it makes them impossible to take seriously as noize godz. It seems so silly now that I was afraid to listen to them for fear that I was going to REALLY love them and then be forced to defend those lyrics. No chance of that - they're a novelty act, Turbonegro for wannabe nihilists. They're Cards Against Humanity: the band.
Friday, December 1, 2017
Wednesday, November 22, 2017
is there a single more versatile artist in the world today...
than Áine O'Dwyer? I guess she really only alternates between tape stuff and drone and, of course, organ improv, with that one big 180 into being Joanna and Nico's lovechild but I dunno that still covers a lot of more disparate ground than most artists even on the fringe. She's the best and I still can't pronounce her name, God bless 'er.
Sunday, November 12, 2017
reggae canon is best canon
oh how the hater has been laid low and made to change her tune! King Tubby Meets Rockers Uptown. You know it, you probably love it - I didn't. Oh, it was fine. But y'know, I'm theContrariangorbler. Today tho low and behold shit clicked. It's a gently surrealistic watercolor paint-on-glass animation, it's a hazy tan, tangerine and teal daydream. The title track is still easily the weakest cut - it's pretty much the ideal dub cut but it just don't move me for whatever reason. The rest is just as good as virtually every music nerd friend I've ever had has always said it is - and the first half is especially magnificent. But y'all know that.
Wednesday, November 1, 2017
new benjamin clementine is legit, ftr.
If ever a band or project was aptly named, it'd be Aural Holograms. First track on their album is some of the most compelling and immersive "walking around an abandoned alien spacecraft" music I've yet to hear - really fantastic stuff. The second is quite nice, too, but then they stretch 12-15 minutes of idea for 40 minutes and it regressively goes from being commendably spooked to at least sonically interesting if not exactly atmospheric anymore to just plain dull. Pity because a couple more tracks like that opener and we'd have a classic.
Friday, October 27, 2017
super slimey
might not be as good as the best Young Thugga but it's way better than any Future project I've heard in... millennia, by which I mean ever. They prove more effective foils for each other than I would've expected. Most of the appeal, though, comes from the fact that these are some sleepy-time-ass beats and I'm nothing if not perpetual sleepy nowadays. Who would've thought that a genre that started out as crunk revivalism would end up being my generation's definitive soundtrack to stoned lethargic insomnia? 4/5
Monday, October 9, 2017
Neo Wax Boom Boom Baby
New Iglooghost is like all of the music I most love remixed for consumption by all of the people I most hate. Recommended if you thought Anamanaguchi or Unicorn Kid "saved chiptune."
some bits of brilliance, though, which just make it all the more frustrating.
actually I don't know I have a lot of thoughts about this, particularly as relates to it being perhaps the first attempt at a coherent full-length traditional album (i.e. not a dj mix or mixtape or comp) exploring the full palette of the dynamic/upbeat.hyperkinetic/girly side of bass music and how it maybe proves that even with all the obvious effort made to provide a coherent listening experience, that maybe this sort of music just doesn't work in this format.
but ultimately I think I can't get behind anything released on the label that gave us quite possibly the most overrated jazz album of all time and the only artist they ever signed I was ever a fan of turned out to be a rapist and they've never done anything about it.
some bits of brilliance, though, which just make it all the more frustrating.
actually I don't know I have a lot of thoughts about this, particularly as relates to it being perhaps the first attempt at a coherent full-length traditional album (i.e. not a dj mix or mixtape or comp) exploring the full palette of the dynamic/upbeat.hyperkinetic/girly side of bass music and how it maybe proves that even with all the obvious effort made to provide a coherent listening experience, that maybe this sort of music just doesn't work in this format.
but ultimately I think I can't get behind anything released on the label that gave us quite possibly the most overrated jazz album of all time and the only artist they ever signed I was ever a fan of turned out to be a rapist and they've never done anything about it.
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